Blues tablature using thumb chords3/24/2024 ![]() ![]() Create your Account and get Pro Access 80 OFF. Drew inspiration from several YouTube blues tutorials - not completely original. Robert Johnson's fingerstyle acoustic blues employed unusual diminished voicings and chromatic movements to lead from one place to another.Īnd modern electric players like Eric Johnson and Scott Henderson substitute unusual chords throughout the 12-bar progression, giving a jazzy feel to proceedings. Drew inspiration from several YouTube blues tutorials - not completely original. This a full-tone bend (a full-tone 2 frets). Then strike the G-string pressed down at the 7th fret with your ring finger and bend it slowly up until you reach the tone of the B-string. John Lee Hooker and Elmore James often 'vamped' on one chord or riff, beginning and ending a song in much the same way. Use the thumb on top of the neck as an anchor, forget the classic guitar school (no flames please). Of course, there are exceptions to every rule and some of these are featured in our extensive catalogue of examples. ![]() It sounds more deliberate, rather than just bluffing through and coming up with whatever you fancy (that has its place too, but you know what we mean). The Rolling Stones have written songs such as Honky Tonk Women, Brown Sugar and Jumpin Jack Flash in open G tuning. Eb Ab Eb Cm Bb Eb Mmm mmmmmm, mmmmm mmm mmm. There's something compositionally elegant, too, about 'book-ending' a song in this way. The most famous old-style blues songs in open G tuning are Crossroads, Walkin Blues (Robert Johnson) and Death Letter by Son House. Cm Bb Eb Ohh, sweet mama give daddy the New Hula Blues. You could say it's like starting with an ending!" Sometimes this is called a 'turnaround' - the bit at the end of a 12-bar progression when everything is gearing up to go round again. Then we finally wrap it up with a slight bend preceeding the last "E" chord.Īs you will hear, this lead progression works very closely with the melody and uses many of the same techniques we have already learned earlier."The first thing you often hear on any blues record is a 'taster' of what is to come, courtesy of some fancy or soulful licks. In the 7th measure we go to the "B7" chord and employ some alternate bass not picking as we did before during the song. Check out the exercise videos and tabs below and download the free cigar box guitar pdf tablature of Blues Roots Slide Jam 1. We will learn to play some chords with the slide and review 5 basic slide techniques all players need to know. Then in the 6th measure, we go back to the open "E" chord and alternate that with some bass note picking bends like we did earlier In today’s cigar box guitar lesson, we will use your slide to jam on a 12 bar roots/blues. The 4th and 5th measure, when played properly, will have a "climbing" sound as it walks up the scale. This chord, by the way, is just another inversion of an "A" chord. Then you wind up that section with the 3 note chord on the 9th fret, at the end of the 5th measure. Then while continuing to hold that chord formation, you will pick the illustrated notes and strum the chord in between. We have not reached those chords in the course yet but give it a try! To simplify this - you will hold down the first 4 strings in an "A" chord at the 5th fret, using the shape of an open "F" chord. ![]() In the 4th measure you play the note on the 7th fret of the 4th string, then strum the next three notes together. This is real "Chet Atkins" kind of playing! When you reach the 4th measure you will employ some alternate picking and strumming that will last throughout the rest of the lead. This is the most recognizable part of the lead and it should sound familiar to you as soon as you play it. The first 2 notes are a hammer-on (see "Lead Guitar 101 - Lesson # 3). There are many versions of this, depending on which recording you listen to, but this is our interpretation that has been simplified in some areas to make it easier to learn. Below is the TAB for the lead section of Folsom Prison Blues. If you're feeling froggy here's an extra bonus for you to work on. The lick incorporates single note picking, using all down strokes, along with a note bend like we did on Tulsa Time.Īs you can see, you will play three successive notes in the 2nd fret of the 5th string with the 2nd finger – then two successive notes on the 1st fret of the 4th string with the 1st finger – then a single note back on the 2nd fret of the 5th string with the 2nd finger – then with the 3rd finger on the 3rd fret of the 6th string you will do a slight bend – and then finish it up with a single note on the open 6th string. Here is the intro riff for Folsom Prison Blues. ♦ Incorporate with previous lesson to play complete song ![]()
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